Saturday, June 23, 2007

Belgium’s French-speaking Walloon region has officially recognised 43 mosques, thus giving Islam the same rights as accorded to other religions in the region. They will be permitted to build minarets on their mosques, and Imams will be added to the government payroll, as is the case – for example – with Catholic priests.

Moves are afoot to apply for official recognition of a number of mosques in the other two main regions of Belgium: Brussels, and Flemish-speaking Flanders.

Most of the immigrant population in Belgium are Muslims, but until now the mosques were not yet officially recognised. The traditional faith in Belgium is Roman Catholicism. Other minor faiths are Protestant Christianity, Orthodox Christianity, and Judaism.

Buddhists also recently applied for official recognition as a religion in Belgium.

Monday, October 11, 2010

British journalist Andrew Marr has angered bloggers by suggesting they are “inadequate, pimpled and single.” Marr, who was formerly the BBC’s political editor, also said that citizen journalism is “spewings and rantings of very drunk people late at night”. He made the comments at the Cheltenham Literary Festival, saying: “A lot of bloggers seem to be socially inadequate, pimpled, single, slightly seedy, bald, cauliflower-nosed young men sitting in their mother’s basements and ranting. They are very angry people.”

Marr, who now hosts a flagship Sunday morning show, The Andrew Marr Show, on which he has recently interviewed British Prime Minister David Cameron and ousted BP executive Tony Hayward, added: “OK – the country is full of very angry people. Many of us are angry people at times. Some of us are angry and drunk”. His comments sparked outrage from bloggers, one of whom dismissed them as “stupid generalisations.” Another said that they were “sure that Andrew Marr did not mean all bloggers, but it is unfortunate that he did not seem to make much of a distinction in his statement.” Another blogger, writing on Twitter, said they supported Marr’s arguments. “Just read Andrew Marr’s comments on blogging,” they said. “I blog and I agree with most of what he says. I don’t read blogs for news, doubt I ever will.”

Other journalists also criticised the comments. Krishnan Guru-Murthy, a newscaster for Channel 4 News, said that it is “true that flicking through the comment section of some political blogs can easily make you think the blogosphere is populated by obnoxious trolls. But there are plenty of thoughtful, insightful people writing online too: you just need to find them. They might not be household names, or worthy of a slot on Radio 4, but to dismiss them out of hand seems wrong. As for bloggers being ‘inadequate, pimpled and single,’ that’s no way to talk about Jon Snow. He isn’t single.”

“We know our viewers want commentary and analysis alongside their news and our blogs help us give more of that,” Murthy said. “Obviously we can’t give opinion in the way bloggers who aren’t also public service broadcasters can, but we enjoy reading other people’s opinions and the best blogs are much more than rants, often breaking stories, too. And anyway, I like reading the occasional rant. But as a blogger if you offer up something to the wider world you should expect people to say what they think of it.”

Roy Greenslade, a professor of journalism at City University London, and former editor of the Daily Mirror, said: “Aside from the paradox of him indulging in a rant to complain about other ranters, it is the one-sidedness of his argument that is so striking. None of us who write blogs are unaware of vituperative contributions from people who like to remain anonymous … It’s the price we [bloggers] pay –a small price, in my view– for a communications system that allows for public participation.” Greenslade added that he thought Marr “seems to be damning the whole blogosphere when, as we all know, there are thousand upon thousand of bloggers who are making valuable public interest contributions on the net day by day, even hour by hour. Marr, to use an archaic but apposite idiom, simply can’t see the wood for the trees.”

April 7, 2005

The state Premier of Western Australia (WA), Dr Geoff Gallop, gave an apology to children physically and sexually abused in institutional care within the state between the 1920s and 1970s. The statement was given in reaction to an Australian Senate inquiry into institutional child abuse published last year.

“We acknowledge our state’s history, the role played by the state in providing care for children and particularly past practices in the provision of care,” Dr Gallop told Australian Associated Press.

“We apologise to all those people who were harmed as children while in institutional care, and express deep regret at the hurt and distress caused. We recognise that the effects of physical, psychological and sexual abuse did not end when these children became adults.”

Many of the children had been placed in care by government agencies.

“Overwhelmingly, the (submissions) make tragic and distressing reading. They tell of neglect, of shocking abuse, of predatory behaviour from so-called carers and of criminal activity,” Senator McLucas told federal parliament at the time of the Forgotten Australians report, last year.

“The evidence is also there that authorities in the church and in governments either knew or should have known that much of this horrific activity was occurring.”

The inquiry found that an apology was an important symbolism in recognising past wrongs and helping victims gain closure, according to an ABC News report. And Dr Gallop said the victims’ personal histories must be heard and acknowledged in order to build a better care system for the future.

WA’s Community Development Minister, Sheila McHale, said those wishing to find out about their time in care in WA as children should contact the Department for Community Development, which is also providing counselling services to those who were abused in an institution.

Monday, April 14, 2008

Indiana congressional candidate Tony Zirkle defended his decision to appear at a Nazi meeting. Zirkle, a personal injury lawyer, is running in the United States Republican Party primary for Indiana’s 2nd congressional district.

Zirkle initially created controversy when he gave a speech to the American National Socialist Workers Party on April 20, Adolf Hitler’s birthday. Photos of the event show a picture of Hitlerin the background with a United States flag on one side of the podium and a Nazi flag on the other side and the words “Happy Birthday” on the table in front. In the speech, Zirkle asserted that the pornography industry was run by Jews.

In defending his remarks, Zirkle explained that he saw the location as a valid opportunity to preach his anti-pornography, Christian message and that he would be willing to talk anywhere and noted that he had spoken on an African American radio station. Zirkle also defended his claimed that Jews were involved in pornography. He claimed that in the past male porn stars were generally Jewish but they were now black but the female stars were young white women. Zirkle further asserted that now Jews owned and ran the pornography industry. On his campaign website Zirkle posted a list of links, including a link to Jew Watch which he said backed up views.

When asked if he agreed with the Nazis Zirkle said that he did not know enough about their beliefs to give an opinion.

Both Republican and Democrats have condemned Zirkle’s remarks.

Zirkle had earlier created controversy when he suggested considering bringing back segregation between whites and blacks.

Saturday, January 15, 2005

United States —”IBM hereby commits not to assert any of the 500 U.S. patents listed below, as well as all counterparts of these patents issued in other countries, against the development, use or distribution of Open Source Software.” [1]

So begins the pledge IBM has made to “any individual, community, or company” writing or using software defined as “open source” by the Open Source Initiative (OSI).

The patents include software for text recognition and database management.[2]

“True innovation leadership is about more than just the numbers of patents granted. It’s about innovating to benefit customers, partners and society”, said Dr. John E. Kelly, IBM senior vice president, Technology and Intellectual Property. “Our pledge today is the beginning of a new era in how IBM will manage intellectual property.”[3]

“This is not a one-time event”, said Dr. Kelly. “While IBM will continue to demonstrate leadership in patent output, through measures such as today’s pledge, we will increasingly use patents to encourage and protect global innovation and interoperability through open standards and we urge others to do so as well.”

Lawrence Lessig, law professor at Stanford Law School and free software proponent commented: “This is exciting. It is IBM making good on its commitment to encourage a different kind of software development and recognizing the burden that patents can impose.”[4]

Not all are confident of IBM’s motives, though.

Florian Mueller, campaign manager of anti-patent website,NoSoftwarePatents.com, accused IBM of hypocrisy because of lobbying in the European Union to push through theComputer Implemented Inventions Directive.

“IBM is just being hypocritical because they want to appease the open source community and make themselves popular,” said Mueller.

“In Europe, IBM is a driving force behind the extension of the scope of patentability with respect to software. If IBM wants to assume the role of a post-Christmas benefactor, they’d better stop their aggressive patent lobbying in the EU and their shameless squeezing of small and medium-sized companies with its patent portfolio.” [5]

Sunday, January 15, 2006

Ariel Sharon, 77, is scheduled to undergo a tracheotomy today, which is expected to help wean him off a respirator, which is helping him to breathe, a hospital statement said.

A tracheotomy is a procedure where an incision in the windpipe is made to create a temporary or permanent opening. It will allow for the removal of the breathing tube now inserted in Sharon’s throat. Sharon suffered a major stroke on January 4, 2006. Last week, doctors said the plastic tube connecting his windpipe with the respirator would start to cause him damage if left in for too long.

Tracheotomies are routinely performed on stroke victims to reduce the risk of infection posed by intubation.

“The prime minister’s condition continues to remain critical but stable,” said a statement issued by Jerusalem’s Hadassah hospital where doctors have been trying, unsuccessfully, to wake Sharon from a medically induced coma. “This evening the prime minister will undergo a CT test after which he will undergo a tracheotomy. The surgery is aimed at helping to wean him off a respirator machine. It will be conducted in the operating room under general anaesthesia.”

Tuesday, January 28, 2014

Evansville, Indiana, United States — This past week marked the opening night of an Andy Warhol exhibit at the University of Southern Indiana. USI’s art gallery, like 189 other educational galleries and museums around the country, is a recipient of a major Warhol donor program, and this program is cultivating new interest in Warhol’s photographic legacy. Wikinews reporters attended the opening and spoke to donors, exhibit organizers and patrons.

The USI art gallery celebrated the Thursday opening with its display of Warhol’s Polaroids, gelatin silver prints and several colored screen prints. USI’s exhibit, which is located in Evansville, Indiana, is to run from January 23 through March 9.

The McCutchan Art Center/Pace Galleries at USI bases its exhibit around roughly 100 Polaroids selected from its collection. The Polaroids were all donated by the Andy Warhol Photographic Legacy Program, according to Kristen Wilkins, assistant professor of photography and curator of the exhibit. The Andy Warhol Foundation for the Visual Arts made two donations to USI Art Collections, in 2007 and a second recently.

Kathryn Waters, director of the gallery, expressed interest in further donations from the foundation in the future.

Since 2007 the Andy Warhol Photographic Legacy Program has seeded university art galleries throughout the United States with over 28,000 Andy Warhol photographs and other artifacts. The program takes a decentralized approach to Warhol’s photography collection and encourages university art galleries to regularly disseminate and educate audiences about Warhol’s artistic vision, especially in the area of photography.

Wikinews provides additional video, audio and photographs so our readers may learn more.

Wilkins observed that the 2007 starting date of the donation program, which is part of the Andy Warhol Foundation for the Visual Arts, coincided with the 20th anniversary of Andy Warhol’s death in 1987. USI was not alone in receiving a donation.

K.C. Maurer, chief financial officer and treasurer at the Andy Warhol Foundation, said 500 institutions received the initial invitation and currently 190 universities have accepted one or more donations. Institutional recipients, said Mauer, are required to exhibit their donated Warhol photographs every ten years as one stipulation.

While USI is holding its exhibit, there are also Warhol Polaroid exhibits at the Tang Teaching Museum and Art Gallery at Skidmore College in Saratoga Springs, New York and an Edward Steichen and Andy Warhol exhibit at the Mary & Leigh Block Museum of Art at Northwestern University in Evanston, Illinois. All have received Polaroids from the foundation.

University exhibits can reach out and attract large audiences. For example, the Weatherspoon Art Museum at the University of North Carolina at Greensboro saw attendance levels reach 11,000 visitors when it exhibited its Warhol collection in 2010, according to curator Elaine Gustafon. That exhibit was part of a collaboration combining the collections from Duke University, located in Durham, North Carolina, and University of North Carolina at Chapel Hill, which also were recipients of donated items from the Andy Warhol Photographic Legacy Program.

Each collection donated by the Andy Warhol Photographic Legacy Program holds Polaroids of well-known celebrities. The successful UNC Greensboro exhibit included Polaroids of author Truman Capote and singer-songwriter Carly Simon.

“I think America’s obsession with celebrity culture is as strong today as it was when Warhol was living”, said Gustafon. “People are still intrigued by how stars live, dress and socialize, since it is so different from most people’s every day lives.”

Wilkins explained Warhol’s obsession with celebrities began when he first collected head shots as a kid and continued as a passion throughout his life. “He’s hanging out with the celebrities, and has kind of become the same sort of celebrity he was interested in documenting earlier in his career”, Wilkins said.

The exhibit at USI includes Polaroids of actor Dennis Hopper; musician Nick Rhodes of Duran Duran; publishers Jann Wenner of Rolling Stone Magazine and Carlo De Benedetti of Italy’s la Repubblica; disco club owner Steve Rubell of Studio 54; photographers Nat Finkelstein, Christopher Makos and Felice Quinto; and athletes Vitas Gerulaitis (tennis) and Jack Nicklaus (golf).

Wikinews observed the USI exhibit identifies and features Polaroids of fashion designer Halston, a former resident of Evansville.

University collections across the United States also include Polaroids of “unknowns” who have not yet had their fifteen minutes of fame. Cynthia Thompson, curator and director of exhibits at the University of Arkansas, Fayetteville, said, “These images serve as documentation of people in his every day life and art — one which many of us enjoy a glimpse into.”

Warhol was close to important touchstones of the 1960s, including art, music, consumer culture, fashion, and celebrity worship, which were all buzzwords and images Wikinews observed at USI’s opening exhibit.

He was also an influential figure in the pop art movement. “Pop art was about what popular American culture really thought was important”, Kathryn Waters said. “That’s why he did the Campbell Soup cans or the Marilyn pictures, these iconic products of American culture whether they be in film, video or actually products we consumed. So even back in the sixties, he was very aware of this part of our culture. Which as we all know in 2014, has only increased probably a thousand fold.”

“I think everybody knows Andy Warhol’s name, even non-art people, that’s a name they might know because he was such a personality”, Water said.

Hilary Braysmith, USI associate professor of art history, said, “I think his photography is equally influential as his graphic works, his more famous pictures of Marilyn. In terms of the evolution of photography and experimentation, like painting on them or the celebrity fascination, I think he was really ground-breaking in that regard.”

The Polaroid format is not what made Warhol famous, however, he is in the company of other well-known photographers who used the camera, such as Ansel Adams, Chuck Close, Walker Evans, Robert Mapplethorpe, and Helmut Newton.

Wilkins said, “[Warhol] liked the way photo booths and the Polaroid’s front flash looked”. She explained how Warhol’s adoption of the Polaroid camera revealed his process. According to Wilkins, Warhol was able to reproduce the Polaroid photograph and create an enlargement of it, which he then could use to commit the image to the silk screen medium by applying paint or manipulating them further. One of the silk screens exhibited at USI this time was the Annie Oakley screen print called “Cowboys and Indians” from 1987.

Wilkins also said Warhol was both an artist and a businessperson. “As a way to commercialize his work, he would make a blue Marilyn and a pink Marilyn and a yellow Marilyn, and then you could pick your favorite color and buy that. It was a very practical salesman approach to his work. He was very prolific but very business minded about that.”

“He wanted to be rich and famous and he made lots of choices to go that way”, Wilkins said.

Kiara Perkins, a second year USI art major, admitted she was willing to skip class Thursday night to attend the opening exhibit but then circumstances allowed for her to attend the exhibit. Why did she so badly want to attend? “It’s Warhol. He is a legend.”

For Kevin Allton, a USI instructor in English, Warhol was also a legend. He said, “Andy Warhol was the center of the Zeitgeist for the 20th century and everything since. He is a post-modern diety.”

Allton said he had only seen the Silver Clouds installation before in film. The Silver Clouds installation were silver balloons blown up with helium, and those balloons filled one of the smaller rooms in the gallery. “I thought that in real life it was really kind of magical,” Allton said. “I smacked them around.”

Elements of the Zeitgeist were also playfully recreated on USI’s opening night. In her opening remarks for attendees, Waters pointed out those features to attendees, noting the touches of the Warhol Factory, or the studio where he worked, that were present around them. She pointed to the refreshment table with Campbell’s Soup served with “electric” Kool Aid and tables adorned with colorful gumball “pills”. The music in the background was from such bands as The Velvet Underground.

The big hit of the evening, Wikinews observed from the long line, was the Polaroid-room where attendees could wear a Warhol-like wig or don crazy glasses and have their own Polaroid taken. The Polaroids were ready in an instant and immediately displayed at the entry of the exhibit. Exhibit goers then became part of the very exhibit they had wanted to attend. In fact, many people Wikinews observed took out their mobiles as they left for the evening and used their own phone cameras to make one further record of the moment — a photo of a photo. Perhaps they had learned an important lesson from the Warhol exhibit that cultural events like these were ripe for use and reuse. We might even call these exit instant snap shots, the self selfie.